Authorly Advice 6: Writer’s Block to Writer’s Wheel

May’s authorly advice comes from my experiences but also, by extension, comes from one of my neurology specialists I’ve been seeing for my brain injury this year.

Anyone who has written has dealt with writer’s block in on form or another. We’ve spent hours or days just looking at a blank page or getting caught in the cycle of typing and deleting the same text a dozen times. We have our own strategies for pushing forward despite the overwhelming blankness, but what we don’t often have is someone telling us to stop.

Writer’s block, whatever its cause, is always seen as a hurdle to hop over, rather than a a bump in the turning wheel of writing. There are three stages of writer’s block/dealing with writing, and these are not progressive stages—they are part of a circle.

If driven by an extrinsic deadline, it certainly makes sense to push through. However, when we push to just write something, we often end up writing things that are below our usual standard. My advice in this instances has always been to leave notes and carry on. That’s the first step here.

Keep Calm and Carry On

[write here about bracketed notes—yes, I left this on purpose]

In instances when you don’t know the next thing you want to write but do know the thing after that, bracketed notes are the best bandaid for writer’s block. If, for whatever reason, you have to just push on, bracketed notes will carry you forward.

I always push this, but that’s because it helps so much. Sometimes you just have to make it work and keep going, but that doesn’t mean you will magically know what to write. If you just write garbage so there’s something written, sure, you’ll have something to edit, but you’ll also put in more work that will later need to be undone. If you put a note in, [here I’ll talk about monkeys or something], you have an idea what that scene will be, but you don’t have to slow your momentum to think of it or look it up in prior works (as below) nor stare at a blank page. You can always go back later to add whatever you skipped, but if you allow that thing to prevent you from moving forward, it can hold you back indefinitely. Sometimes leaving a note for yourself so you know to come back and just moving forward can help you to come up with later details that can fill in the earlier gaps. Sometimes, but not always.

From Ember on the Anvil, which is currently paused for my recovery.

For many of us, if we don’t just stop and get stuck, this phase of pushing on is still where we stay, stubbornly refusing to step back—because we feel we can’t or because we feel we shouldn’t—and we forget or don’t realize there are two other valuable options.

Just Stop, Take a Break, and Regroup

Sometimes, the best thing you can do is just stop. When your brain cannot come up with the next thing to write, you may be experiencing burnout. Burnout is the body telling us to stop. I’ve talked a bit about this in another blog. Whether you pride yourself as a “mind over matter” person or you just cannot afford to take the break your body needs, burnout is your body begging you for a break.

In my case, right now, my brain is having difficulty coming up with the things I want to write because it is physically injured. I have spent nearly five months focusing on recovery and on giving my brain that break. I had deadlines and goals, but it does no good to push for the deadline if your writer’s block means that you’re presenting a garbled mess or you push yourself too far altogether. You can do too much.

At the end of the day, you are a human being who needs breaks. Take one. Go to a place you love, spend time with family or pets, get back to nature, watch a show or play a game, read a book, or even just take a nap.

I read a few books, meditated, rewatched Cold Case (one of my favorite shows), and later played Baldur’s Gate 3 for the fourteenth (?) time.

After giving myself a break, I did have a burst of creativity (before I immediately overdid it and set back my recovery). I was able to create a Clippy Pine Derby car for work. I was able to create a one shot set in the Age of Magic and lay the groundwork for an Ambergrovian campaign—including, most recently, beginning to create an Ambergrove Compendium in Foundry Virtual Tabletop (putting the Ambergrovian Adventurer’s Guide into the program for running D&D games in this world). I attended events and ran games. I completed a few rounds of editing. I took on greater tasks at work. All it took was some time not trying do do something creative and I was able to scratch that itch again in no time.

Redirect, and the Writing Will Come

And yet, for one reason or another, sometimes the best thing isn’t to push through or stop altogether but to redirect. When I was laid off last year, it was really difficult for me to come up with creative writing when I was so consumed with worry about the future. Writing a book and working in the world I created was just too overwhelming, so I slowed down an redirected. That was when I started writing short fiction for anthology submission calls. What I wrote then was on a smaller scale. There were lower stakes. Most of the stories were limited at a few hundred or a few thousand words, maximum, so there wasn’t room to get lost in the weeds. It was through this writing of short fiction that I was selected for publication in an anthology that releases in a few weeks.

Though this mode of combating writer’s block had been helpful last year, when I hit my head, I didn’t think of using it. First, I tried to push through. After a thorough scolding from a handful of doctors, I then took a break. After a restless few months, temporary recovery before collapse, and then a bit of despair, one of those doctors recommended a redirection.

Pushing through caused harm, and taking a break caused harm because I’d been so restless that I’d immediately undone the positive effects of that break. However, if I were to keep going—just slowly—then the bite-sized pieces would prevent a backslide just as they had allowed me to ease back into working creatively before. Because of the state of my brain, rather than getting back into creating short fiction from scratch, the recommendation was a bit unorthodox: fan fiction.

Now, I wrote fan fiction when I was a teen. Many writers did; that’s where a lot of us start. Writing a story where the characters are created, the world is created, and the character interactions within that world are largely created lowers the stakes greatly and allows the writer to supplement their own creativity with someone else’s. Fanfics are not typically seen outside of circles wherein they are appreciated like AO3, or in my teen years, Mibba.

Fanfics are often seen as low-hanging fruit, and they are, but they are also gateway stories. If my brain was just going to continue to attack the low-hanging fruit (the description given by the neurologist for how my self-doubt has flared up with a vengeance), the least I could do was pick more of that fruit to replenish myself. Writing is writing, and as long as you don’t plagiarize in future works outside the fanfiction genre, fanfiction writing is a healthy redirection that can allow you to continue to work that creative part of your brain without strings or fears.

So I plotted a fifteen-chapter Baldur’s Gate 3 fan fiction, did some “research” in a couple Origin playthroughs, and began writing. After months of writing very little, I have written a whole chapter. Does it follow the game events that were already established? Yes. But it’s also written in my style. The tone matches my connection to the characters, and the internal dialogue and story trajectory matches how I feel about their development. I am excited to write it. I am happy just sitting and writing, which hasn’t been the case in years. I have enjoyed it, of course, but when writing original work in Ambergrove, the more I write, the greater the weight is on my shoulders—concerns about continuity, Imposter Syndrome, and the knowledge that Ambergrove is my world and anything I do reflects upon that world.

Historically, once I “grew out of it,” I have had very little respect for fan fiction, viewing it as childish self-insert writing alone (as it was for me when I wrote it), but just because that’s all it was for me does not mean that’s all it can be. There’s no Imposter Syndrome here—because I know that I am not one of the professional writers, and I am not trying to be one. That is, except for when an image of me with a comically large mustache in the Larian writers’ room crosses my mind.

Listen to Yourself

As I’m sure is clear from the often rambling nature of my blogs the past few months, I am still struggling quite a lot during this healing process. My wordfinding and memory skills have suffered lasting damage, and I have been trying for months to get back to where I was intellectually and creatively. Sometimes the best thing for us is to push on, sometimes that’s to stop and take a break, sometimes that’s to redirect and try something new, small, or long forgotten. Whatever the case may be—one or all—the key is to listen to yourself. If you don’t think you can push on but are going to anyway, listen to yourself and stop. If stopping is driving you crazy, try redirecting to short fiction, world building, fanfiction, or even non-literary creative pursuits like painting or cosplay. If redirecting makes you feel a powerful drive to return to your work in earnest, try pushing forward with it once more.

At the end of the day, although our writing can often take over much of our own worlds, it flits into the worlds of others. The pressure we impose on ourselves to push on only really comes from us. If we look at writing as a wheel and at the act of writing as a threefold cycle, we eliminate some of that imposed pressure, broaden our options, and allay some of our fears and self-imposed pressures.

As long as a wheel exists, it can keep turning. The speed in which it turns doesn’t add or subtract value. As long as you’re moving, you’re trying to turn that wheel just a little, you’re going everything you should be.

As we near the midpoint of 2025, I am sure that, like me, there are other writers looking back incredulously at the half-past year and wondering whether they’ve done anything worthwhile.

You have.

Keep at it. Dial back the pressure you impose on yourself, turn the wheel a little, and try the next thing.

Authorly Advice 2: Authors as People

The January Authorly Advice blog comes a couple days late due to the topic of the month: authors as people. When we’re young and discover reading for the first time, authors seem like otherworldly beings—more legend than person. As we grow, we learn what fandom means, and we idolize our favorite authors. We may not realize then the responsibility authors have.

Humanity in Fallibility

Authors are people. This in itself is not a revolutionary statement. However, people tend to put too much pressure on themselves to become infallible. Infallibility, while admirable, is unrealistic simply because of the nature of living a life. Sometimes we literally fall down, and whether that is the case or we “drop the ball” in forgetting an appointment or another fashion, we will fall—at least a little bit—no matter what we do.

Two weeks ago, I fell—literally. I slipped on ice and fell, and I hit the back of my head on a tree root. In an instant, everything I’d said and planned for the year was also on shaky footing. I went to the ER, I had tests, I went to the doctor, the chiropractor, physical therapy, and more, and I learned that this head injury was substantial enough to throw off all my plans for at least a full month—which would cause cascading changes throughout the year.

I can no longer spend hours in front of the computer working on a manuscript draft. I can no longer work on editorial tasks. As of today, I can hardly walk without support. This came mere days after cementing my month-long plan and sharing my plans for the year. Sometimes, plans have to change.

Meeting a deadline is possible in some cases but not all. We are not programmed to spit out a certain number of words per day to ensure we reach our goals. Maybe we won’t reach those goals. Maybe we need more time. Maybe we need to stop and think. Maybe there’s an illness or disaster outside our control. Maybe we have other commitments and have to make the difficult decision between them.

The important thing in these cases is to be honest. Being honest does not mean baring all, but it does mean that what is laid bare must be honest. Fallibility is part of being a living being, but honesty and genuineness are choices.

Humanity in Responsibility

Authors have a responsibility to honesty. Whether that was the plan or not, the moment someone puts themselves out there for the public—musicians, journalists, actors, field experts, and so on—they become a public figure. Someone, somewhere, looks up to them and admires what they do. People have to know that the person they look up to is trustworthy. Do I know what my favorite author had for lunch today? No. Does she have to tell me if I ask? No. However, if I ask and she chooses to tell me, what she shares must be honest. “I had something tasty,” if true, is certainly enough information for her to share as a public figure. She may choose to photograph her lunch and ping the restaurant, but that is a choice. She is not being dishonest in saying it was tasty. We are not owed any personal information, but if the choice is made to share, the choice must also be made to do so honestly.

Authors also have a responsibility to character—to their characters in their books, yes, but also to their own moral character. While authors may have pen names and may embody personas instead of sharing their true names, the person they present as this public figure must not directly contradict their own character. This does not mean that someone who dresses one way as the public figure must do so as themselves. It means that the moral beliefs they hold themselves to must be the same. When a reader grows to love the writing, they may also become fans of the writer. They expect that person to share the moral codes presented in the writing or presented by the writer as a public figure. To not match what beliefs are presented breaks the trust with the reader. This does not mean readers must know the author’s religion, political stance, or other beliefs, but if they matter, if those things directly contradict the stories, it breaks trust with the reader if those details come to light later on.

I had a favorite author, whose name I won’t mention, who stated once that writing fantasy was easy because fans of fantasy would love whatever garbage was given to them, so it was a good way to make a buck. That was the reason he wrote his fantasy books, and it was the honest answer. This caused a rift between those lovers of fantasy—of that series in particular—and the author who held such disdain for even his own readers, and it broke that trust.

Having a responsibility to your own character doesn’t mean having good character, though perhaps that should be the goal. It just means your character, your values, should align with what readers of your books would expect out of you. Readers would expect a fantasy author to be a fan of fantasy himself. Readers expect a religious fiction author to be religious, a children’s fiction author to at least not hate children, and so on. If you present your stories and characters as allies to a marginalized group and then speak out against that group, you break trust with the reader. If your stories are clearly against a certain group and you speak out for that group or are yourself part of that group, you break trust with the reader.

Whether you like it or not, in becoming a public figure, in having readers who are fans of your work, you also have people who are fans of you, and that comes with responsibility—if you care (and you should). Your actions matter, because there may be readers who may base their opinion of themselves on what you say and do. If you don’t uphold the standards and expectations set by your characters, why should they? If they loved something so deeply that it became a part of them, and then you yanked the rug out from under them, they may question their own judgement.

If you are popular as an author, you are popular because of your readers. Your responsibility is to be genuine with them and ensure your character aligns with your characterS and the lessons you have them teach your readers. As noted in the previous blog, you write for yourself; you publish for your readers. As you continue to write (if you write more), you should continue to write for the reasons you started, but if you choose to publish, you should keep the readers in mind. Think of how your actions impact those around you, always, but as an author, think about how your actions impact your readers.

Finally, authors have a responsibility to themselves. If authors are people, authors have the same needs all other people have. We must eat. We must rest. The current Ambergrovian main character is a former smith, so let’s look at the “pouring from an empty cup” adage in smiths’ terms.

Your day is a blade in a forge. A blade can only be hammered so much. If the smith works the blade slowly and precisely, they can create something magnificent and strong. If the smith hammers too hard, the blade will become thin and brittle and will not stand to what coming days have in store for it. If you put too much pressure on yourself in the day (too much hammering in the forge), you damage yourself and you weaken what you can do in the future. If you work deliberately, rest deliberately, and stop when you’ve reached your limit, the work you do will be strong and you will be able to handle what the next day will bring. Tomorrow may bring a new blade to forge, but that doesn’t mean that today’s blade doesn’t need to be made well. That means the rest you take today matters just as much as the work for you to have a sustainable tomorrow.

This is an idea I’ve been struggling with my entire life. I have always equated my worth to how much work I could cram in the day, how many responsibilities I could take on, and I’ve viewed rest as something to be earned (and something I rarely ever earn). But rest isn’t something to be earned. Rest is necessary to help us become something strong. When a blade is forged, it spends time heating and cooling in addition to being hammered on the anvil. To be made strong, the blade needs all of it. What kind of blade will you forge yourself to be?

Conclusion

Being an author doesn’t mean being infallible, but your intention matters. You must ensure you remain a person that readers can look up to and ensure you do not break trust with those readers. However, you must also ensure that you look after yourself and do not hammer yourself too much. Maintain progress as you can, but sometimes life happens. When you fall and you need to rest, rest. Properly care for yourself. You are not only human after all—you are steel in a forgefire. Pace yourself and become a magnificent blade … and show your readers healthy ways to forge themselves as well.

Additional Note

It has been 15 days since I hit my head, and I’m improving somewhat—but not much. However, as I announced these blogs last month, I wanted to ensure I didn’t immediately drop the ball. I tried to do more. I did. I contested the advice to rest. All that happened was that I fell further. So, I stand by the advice here, but I do intend to reread and edit it once I’m back to 100 percent functionally.